- 063
- The Figure-Ground Plan and Its (Dis)content
- Abstract
- Over time, the figure-ground plan has gained considerable popularity among architects and urban designers. This essay presents the history of the figure-ground plan and the contemporary struggle to cope with the increasing formlessness of the modern city. In the early controversy over modern urbanism in the late 1880s, the figure-ground plan functioned as a polemical drawing. From Camillo Sitte to the New Urbanists, through the British critic Colin Rowe’s influential writing and teaching, architects and urban designers
mobilised the figure-ground plan to study the morphology of cities and criticise the modernist context-free drawing of plans and zoning maps. Since the late 1970s, the figure-ground plan met with increasing resistance from designers, who dismissed it for its inability to represent the spatial and temporal dimensions of the post-metropolis. This article wants to reconsider some of the arguments embedded in the figure-ground plan and its discontents.
- Citation
- Damiani, R. (2020). The Figure-Ground Plan and Its (Dis)content. The Drawing in Landscape Design and Urbanism, OASE, (107), 63–68. Retrieved from https://www.oasejournal.nl/en/Issues/107/TheFigureGroundPlanandItsDiscontent
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- Editors of this issue
- Frits Palmboom, Bruno Notteboom, Kornelia Dimitrova, Bart Decroos
- Authors
- Nitin Bathla & Sumedha Garg, Paul Broekhuizen, Chiara Cavalieri, Kees Christiaanse, Elke Couchez, Roberto Damiani, Koenraad Danneels, Gini Lee & Antonia Besa, Gianna Lobosco, William Mann, Julie Marin & Bruno De Meulder, Frits Palmboom, Sandra Parvu, Pieter Schengenga, Holger Schurk, Marialessandra Secchi & Marco Voltini, Heidi Svenningsen Kajita, Marc Treib, Bram van Kaathoven
- Design
- Karel Martens & Aagje Martens
- November 2020
- English/Dutch
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- ISBNISBN 978-94-6208-578-7
- © Stichting OASE, 2020
- Subsidising institutions
- Creative Industries Fund NL, Van Eesteren-Fluck & Van Lohuizen Foundation