OASE defends high standards of expected ethical behaviour of all parties involved in the act of publishing: the authors, the editors, the peer reviewers, the publishers and the community of academic architecture journals. We follow as such ‘the guide for ethical editing’ as made available by the Committee of Publication Ethics. OASE takes it as its duty to guarantee ethical behaviour in all issues. The academic editor and academic committee play a key role preserving the quality.
The peer-reviewed articles published in OASE support and embody a scientific method. Their publication reflects the quality of the work of their authors and their supporting institutions, most often faculties of architecture of leading universities. When publishing their articles in the peer-reviewed journal, OASE contributes to the essential development of a coherent and respected network of knowledge in the field of architecture. Over the thirty years of its existence, the journal has played an instrumental role in promoting and improving academic publishing in the architectural field, inviting young scholars to write and publish articles while training them in ethical behaviour.
Facing the increasing practices of plagiarism, OASE believes that monitoring publishing ethics is a major aspect of our editorial process. The editorial board and the academic editor are in their day-to-day practice committed to maintaining the high quality of the journal and critically observe all contributions from this perspective.
In order to enhance its academic approach towards publishing, OASE has elaborated significant tools: the extensive author’s guidelines, the official templates of invitation and rejection, the templates for calls for papers and for peer-reviewing. We share these tools with colleague editors in order to improve ethical publishing and responsible editorial behaviour in the international field of architectural publishing.
Tom Avermaete, Michiel Dehaene, Rick ten Doeschate, Job Floris, Christophe Van Gerrewey, Christoph Grafe, Klaske Havik, Lidewij Lenders, Bruno Notteboom, Véronique Patteeuw, Hans Teerds, Husnü Yegenoglu
Technische Universiteit Delft, Technische Universiteit Eindhoven, Katholieke Universiteit Leuven, Universiteit Gent, Universiteit Hasselt
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OASE is an edition of the OASE Foundation
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F Grotesk (Radim Pesko)
The site was made possible thanks to financial contribution of the Netherlands Architecture Fund.
Thursday 15 December 2016, Tobias Armborst (Interborro Partners) and Bert Gellynck (1010 architecture urbanism) will give a double lecture. The lecture is followed by a discussion with the (guest)editors of OASE 96, Michiel Dehaene, Els Vervloesem en Marleen Goethals. Joachim Declerck (AWB) will moderate the discussion.
On 12 December 2016 the editors of OASE 97 will talk about action and reaction in architecture with Xaveer De Geyter (XDGA) and Willem Jan Neutelings (Neutelings Riedijk Architects). This event is sold out, registration is no longer possible.
Exhibition “Recent Work” about OASE’s graphic designer Karel Martens presented at P!, a gallery in New York from 11 September – 30 October 2016.
OASE 96 examines the remarkable revival of architectural practices that focus on reuse and appropriation of buildings, environments and materials. To what extent can and will designers engage in this process, and what is the possible positive or negative social impact of these interventions? This issue focuses on case studies, practical experience, critical refl ection and ideas that show how architects and urban planners proactively deploy reuse in view of future user opportunities and/or applications.
The aim of
this issue of OASE is to understand
the historical foundations of the concept of narrativity in reading and
designing the (urban) landscape, and to uncover the relevance of narrativity for
Please send your abstract (maximum 500 words) before 15 July 2016 to firstname.lastname@example.org.
This issue of OASE takes as its point of departure the cross-cultural conditions in which architects, urban designers and landscape architects work. It focuses in particular on architects working in a condition of displacement – in other words in relation to cultures, far away or nearby, that are not their own.