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        • The Absence of Interior

        Abstract
        Designing interiors was not something OMA occupied itself with in the 1980s.
        Aslı Çiçek describes how the project for the
        Très Grande Bibliothèque in Paris in 1989
        came about without perspectives or interior
        images, something that is unimaginable
        today. The interior was used as part of a
        strategy, rather than as a spatial operation
        customised to the user. This is also the
        case in other projects. The design for the
        interior of advertising agency Lintas (1984)
        shows an interest in organising the interior,
        rather than in shaping or designing it. The
        early work of OMA is a questioning of the
        approach of the interior, which can even
        result in its absence.
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        Citation
        Çiçek, A. (2015). The Absence of Interior. OMA. The First Decade, OASE, (94), 54–59. Retrieved from https://oasejournal.nl/en/Issues/94/TheAbsenceOfInterior

        Download PDF (572 KB)

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