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    OASE103

      1. issues 1–112 are available in PDF format

        • 001
        • Revisiting Critical Regionalism

        Abstract
        For more than five decades, Anglo-American architecture critic and historian Kenneth Frampton has played a prominent role in architecture culture. During this entire period, he has taken a rather exceptional position, operating mainly in the registers of historiography while simultaneously maintaining an engaged relation with contemporary architectural practice. His award at the 2018 Venice Biennale as well as the recent acquisition of his archives by the Canadian Center for Architecture in Montreal and of his library by the University of Hong Kong illustrate the appreciation for Frampton’s contribution to various domains of architecture culture. As a theoretician, he developed perspectives that forge connections between the past and the present, positioning contemporary practice within cultural temporalities. His position between critique and history has had a strong influence on his theoretical thinking. Through theorems such as ‘tectonics’ and ‘material culture’, Frampton has furthermore constructed compelling bridges between historical and present-day design practice.
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        Citation
        Avermaete, T., Patteeuw, V., & Szacka & Hans TeerdsLéa-Catherine. (2019). Revisiting Critical Regionalism. Critical Regionalism . Revisited, OASE, (103), 1–6. Retrieved from https://www.oasejournal.nl/en/Issues/103/RevisitingCriticalRegionalism

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    1. 21/11/2023
      call for conversations OASE 118

      Rationalism Revisited

      This Call is written by Justin Agyin, Bart Decroos, Christoph Grafe. The deadline is 17 December 2023.

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    2. 11/11/2023
      call for abstracts OASE 119
      1. Review of Jean-Louis de Cordemoy's Nouveau traité de toute l'architecture in Mémoires pour l'histoire des sciences & des beaux-arts, September 1706

      Book Reviews
      From Words to Buildings
      In this issue of OASE, the history of the architectural book review is outlined through case studies. This Call is written by Christophe Van Gerrewey and Hans Teerds. The deadline is 20 December 2023.

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    3. 06/03/2023
      BK Talks on 16 March 2023 about 'Design with Soil: Urbanizing the living surface'

      On 16 March 2023 the TU Delft will host a debate inspired by OASE 110.

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    4. 21/02/2023
      Call for Abstracts OASE 117. Village Variations

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    5. 31/01/2023
      Now available: OASE 113. Authorship

      What does the author’s ‘owning’ of a project mean? And does this sense of ownership still prevail in contemporary architecture culture? Other more open forms of cooperation and co-creation are emerging alongside the concept of individual singular authorship.

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    6. 02/12/2022
      Presentation OASE 112 on 8 December 2022 in Rotterdam, NL

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    7. 24/11/2022
      Call for Abstracts OASE 116
      1. Carmen Portinho in front of the Museum of Modern Art in Rio de Janeiro (source: Wikimedia Commons)

      ‘The Architect as Public Instellectual’
      Deadline: 23-12-2022

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    8. 15/10/2022
      Now available: OASE 112. Ecology & Aesthetics

      Through a series of concrete projects, the contributions in this issue explore the field of tension between architectural aesthetics and issues of energy, technology and materiality. Ecological practices in architecture must not only be effective in providing solutions, but inevitably raise questions of beauty, affection and perception as well.

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    9. 23/05/2022
      Call for Abstracts OASE #115. Interferences: Migrating Practices in Europe

      Call for Abstracts OASE #115 about “Interferences: Migrating Practices in Europe”, written by Justin Agyin, Kornelia Dimitrova, Christoph Grafe and Bernard Colenbrander. Deadline is June 19, 2022. Read the full text of the OASE #115 Call for Abstracts in the PDF.

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    10. 20/05/2022
      Now available: OASE 111. Staging the Museum

      Museums stage public encounters between visitors, objects and stories. This is not limited to a tour through the exhibition spaces, it starts already with monumental or ‘tresholdless’ entrances.

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