OASE 120 / Quality Settings

OASE 119 / Rationalism Revisited

OASE 118 / Book Reviews: From Words to Buildings

‘Quality’ is an all-pervasive concept in contemporary architectural practice, yet it is also a somewhat vague notion that can be used for many very different valuations. Talking or thinking about a high-quality built environment opens up new opportunities for critical interpretation and for new social or ecological endeavours. By the same token, the concept of quality may limit the arena for the evaluation and legitimization of architecture to expert opinions.

This issue of OASE considers contemporary processes and environments in which the quality of (public) architecture is negotiated. How do state or city architects, urban quality commissions or design competitions ensure the quality of regional planning? What is the importance of the exchanges and negotiations between designers, experts, mediators and other stakeholders? And how do these ‘settings’ fit into the evolving frameworks of architectural culture, urban or infrastructural policy and the political economy?

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In the crisis following the First World War (1929 – 1940), the Modern Movement of the 1920s supported a programme of social reform. This included the rationalization and industrialization of building processes, while efficient forms of construction were also an important source of architectural form. Nowadays, the need for economical building was based not only on purely financial considerations, but also on the limited availability of material and energy resources. In the process, ‘building’ increasingly becomes a practice of ‘repairing’. Remodeling and building on represents a paradigm shift for the discipline of architecture, with architects having to reinvent themselves as bricoleurs, tinkerers or simply as repair experts. This requires not only the latest technology, but also age-old knowledge. Drawing on conversations between academics and practising architects, OASE 119 revisits the concept of rationality in architecture and explores how this shift is being addressed in different contexts.

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In this issue of OASE, the history of the architectural book review is outlined through 25 case studies from the eighteenth century until today. The properties are studied of a genre that is more or less generally available, intended for a shifting audience of architects, interested readers and historians.

The main aim is to reveal how the book relates to the architecture practice, and how this relationship has evolved. The book review is a trenchant opportunity to look back on production in the distant or recent past, and to speculate about the future.

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About OASE

OASE is an independent, international, peer-reviewed journal for architecture that brings together academic discourse and the sensibilities of design practice. OASE advocates critical reflection in which the architectural project occupies a central position, yet is understood to be embedded in a wider cultural field. Intersections and affinities with other disciplines are explored in order to gain a more profound understanding of the practice and theory of architecture and rearticulate its disciplinary limits.

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